← The work

Site-specific conversational heritage installations

Echoes

Public art that brings the history and culture of a place into live, face-to-face conversation. A dimensional apparition, housed in material drawn from the region: visitors talk with the people history kept and the ones it dropped.

An Echoes experience on a seven-foot holographic display, demonstrated in London, 2025.

What it is

Built for interpretive history, visitor experience, and educational programming in public spaces, museums, visitor centers, and civic sites. Each roster is sourced from archives and vetted with community review partners, and it mixes named historical figures, composite archetypes, and voices of local lore.

Between conversations the object stays visually alive with abstract motion in materials such as stone, water, light, or smoke. Every install is scoped with a fallback, so if the live system is unavailable it degrades through defined modes rather than going dark.

Echoes of Indiana is the first commissioned work, slated for the Trades District in Bloomington with collaboration and sponsorship from Indiana University. A second is in development in partnership with the French Lick West Baden Museum.

A person at night looking at a glowing portrait set into a rough-hewn stone monolith in a plaza.
Concept render. A regional monolith with an embedded presence.

Ways it appears

From a standing display in a lobby to an architectural object in regional stone. The character stays the same whatever the form; the venue chooses how it is met.

Foyer display: A standing presence in a lobby
Foyer display A standing presence in a lobby
Regional monolith: Stone, brick, or wood
Regional monolith Stone, brick, or wood

Built to the site

Each monolith is drawn up for its location: material, scale, and mounting matched to the architecture and the climate around it. Stone, brick, and wood options are specified per site, with a fabrication and install plan behind them.

The presence is authored once. The enclosure is engineered for the place it stands.

A fabrication board for the Indiana monolith: an exploded technical drawing beside an installed-view render with people for scale.
Fabrication intent beside installed view: the technical drawing and the experience, side by side.

The voices

The Echoes of Indiana menu of voices: portraits of Mabel, James Whitcomb Riley, a Brown County legend, and others, with the prompt to touch a portrait to begin.
A visitor touches a portrait to begin. The roster is drawn from the region, named figures and local lore alike.

In use

A Mark Twain visualization.
A tester in conversation, browser preview.

Bring an Echoes installation to a place that has a story to tell.

Discuss a commission →