Site-specific conversational heritage installations
Public art that brings the history and culture of a place into live, face-to-face conversation. A dimensional apparition, housed in material drawn from the region: visitors talk with the people history kept and the ones it dropped.
What it is
Built for interpretive history, visitor experience, and educational programming in public spaces, museums, visitor centers, and civic sites. Each roster is sourced from archives and vetted with community review partners, and it mixes named historical figures, composite archetypes, and voices of local lore.
Between conversations the object stays visually alive with abstract motion in materials such as stone, water, light, or smoke. Every install is scoped with a fallback, so if the live system is unavailable it degrades through defined modes rather than going dark.
Echoes of Indiana is the first commissioned work, slated for the Trades District in Bloomington with collaboration and sponsorship from Indiana University. A second is in development in partnership with the French Lick West Baden Museum.
Ways it appears
From a standing display in a lobby to an architectural object in regional stone. The character stays the same whatever the form; the venue chooses how it is met.
Built to the site
Each monolith is drawn up for its location: material, scale, and mounting matched to the architecture and the climate around it. Stone, brick, and wood options are specified per site, with a fabrication and install plan behind them.
The presence is authored once. The enclosure is engineered for the place it stands.
The voices
In use
Bring an Echoes installation to a place that has a story to tell.
Discuss a commission →