PastPresence

The Work

Four public forms share one practice: conversation with invented and historical characters, authored rather than improvised. Two stand in physical space, as public art and exhibition, apparitions met face to face. Two run in the browser, built for readers, students, and audiences at home.

01

HEARSAY

Real-time conversational fiction

Fiction that puts the visitor at the center of the story. Each experience is a sustained conversation with invented characters: the visitor plays a part, presses for answers, and decides what to believe. The Knock runs as a mystery that writes itself into a book. The Dose is an exploration of the mind, of faith, prophets, and superstition. The Doppelganger arranges a meeting with unlived lives: the visitor talks with their own alter egos, the selves that took the other road.

Each piece meets its visitor through a different surface: a peephole, a rearview mirror, a degraded feed. Sessions leave a written chapter, and no two visitors receive the same book. The writing engine and character system are shared across the slate, and more experiences are in the wings. The Knock is live; access is arranged on request. What you hear depends on who you ask.

The Knock title card: a brass hotel peephole looking onto a corridor, set in a wall of handwritten notes.
The Knock, the live flagship.
The Doppelganger poster: a woman at a vanity mirror whose reflection is a different, sharply dressed version of herself. Tagline: you, but otherwise.
The Doppelganger. You, but otherwise.

The slate

The Knock

Mystery · History · Hearsay

Live

The Dose

Gods · Prophets · Visionaries

Alpha

The Doppelganger

The selves you didn't become

Alpha

The Trail

Cryptid folklore · Found footage

Alpha

The Fare

Noir · Night shift · No destination

In development

The Chair

Oral history as intimacy

In development

The Booth

Confession without absolution

In development

02

Echoes

Site-specific conversational heritage installations

Public art that lets a place speak with its own voices. A three-dimensional apparition arrives in a body of the region's stone, and the visitor talks with it face to face: figures drawn from the local archive, workers, builders, founders, legends. The roster, the voices, and the stone come from the place itself.

Echoes of Indiana is the first commissioned work.

A block of Indiana limestone with visible fossil striations, lit in a studio.
Indiana limestone, the material of the first commissioned installation.
How an Echoes installation works

Status

Echoes of Indiana

Bloomington, Indiana

Commissioned

Echoes of French Lick / West Baden

Springs Valley, Indiana

Concept

Echoes of Indiana: fabrication complete, installation underway. The concept entry is a proposal; no partner is committed.

03

Kindred Spirits

Single-figure presences for institutions

One figure, met where their life is kept. A visitor at an author house or museum speaks with a researched presence of that figure, grounded in the figure's own writings and record, and hears the work talked about in the voice that made it.

Echoes works from a place and its many voices. Kindred Spirits works from one figure, at that figure's own institution. Built for author houses, museums, libraries, and estates.

Discuss an institution

Designed for

Kiosk, gallery, and framed display contexts

One figure, one institution, one defended body of material

Local review before any presence goes public

04

Reading Companions

Author-grounded conversational study tools

Reading with the author in the room. The companion sees the page the reader sees and talks it over: questions answered from the author's own record, the horse's mouth in place of stray hypertext and a stranger's annotations. The aim is to vitalize the reading and send the student deeper into the book instead of away from it.

The current reader is browser-based and split-screen: text on one side, companion on the other, with goal-based tone, repeat visits for web readers, and a memory-off kiosk mode for institutions. The first audiences are schools, libraries, and literary estates.

How a companion session works
Three Reading Companion presences rendered as marble busts in lit niches: Virginia Woolf, Mark Twain, and Kurt Vonnegut.
Concept render. Companion presences shown as busts in lit niches.